Projects

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WYRD (2018)

wyrd focuses on the power, pain and delicacy that resides in the primal and spiritual aspects of womanhood. This trio of three power women explores these topics through high risk, athletic and emotional movement. How do women negotiate the inner strength that comes from the pain we experience and learn to appreciate and take control of that power? Highlighted as “the most memorable work of the night” in the Synthesis v festival 2018.

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Desperantium(2018)

Desperantium takes its inspiration from Auguste Rodin’s work The Gates of Hell. The choreographic material is drawn from the intricately beautiful body shapes of both the male and female figures, the exhibition of raw human emotion and the backstory of Dante’s Inferno. Rather than a specific story, the work creates a landscape for the dancers and the audience to confront their relationships not only with one another but with their spirituality and mortality

Anomie (2017)

Anomie, the title of the piece, is defined as the condition where society creates a structure where humans feel no moral obligation towards one another. This clash between a personal moral compass and society's moral compass leads to widespread suffering. Anomie focuses on existential fears and invasive thoughts and how these concepts can cause individuals to behave in society. inspiration was drawn from frank auerbach's paintings as well as literature on invasive thoughts and ocd. through collaboratively generating imaginative and spiritually authentic movement this piece allows the viewer to reflect on the world around them. can we create a world governed by morality?

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From The Great Above to the Great Below (2016)

From The Great Above to the Great Below is a piece based on joeseph CAMPBELL'S THE HERO'S JOURNEY AS WELL AS THE TALE OF INNANA. This piece tells the story of three women who take on a challenging journey to a rite of initiation through the application of gold paint to their bodies, weaving and intermingled partnering and weight sharing as well as sweepingly powerful movements that explode across the space.

Nefesh|ruach|neshamah(2016)

Nefesh | Ruach | Neshamah was created around specific scenic, lighting and costume design choices. the movement was generated from working with long billowing skirts, huge panels of white fabric hanging down in the space. These white diaphanous panels of fabric are evocative of the separation of realities and reference the allegory of the Plato’s cave, as the dancers are both real and visible at times, and mere shadows in other moments. This piece is set in an otherworldly space, where the dancers explore a new landscape and new relationships with one another.